Giuseppina Giordano artist
My work feeds on transformation
I don’t care about the media I use:
I rather care about their embodying a request.
I care about my work to be open and generative.
I take care of the process and don’t force events, I go with them.
This way, my works are born in my arms and the arms of people close to me
raw and delicate, a rosebuds border fence. A meditative practice. A reflection on ephemeral, beauty, delicacy.
This is a participatory project.
Would you like to contribuite working together on building a longer, more beautiful rose buds border wall?
Please, reach me at giuseppinagiordano.info@gmail.com for more informations!
Continue reading “THE WALL OF DELICACY (Ode to America), 2019- on going”
A blossoming cold fire. Pornography and Romanticism: two scripts of reality.
LOVE / UNIVERSAL / PAIN IN THE ARSE (Sorry Wislawa) is an endlessly repeatable work.
LOVE / UNIVERSAL / PAIN IN THE ARSE (Sorry Wislawa) is an endlessly repeatable work.
Realized with a special rubber stamp, the text is the result of the translation in 104 languages by Google Translate of the poem “Love at first sight” by Wislawa Szymborska, Nobel Prize in Literature in 1996 .
The lines of the poem are grafts of multiple languages.
Sharing fragmented meanings allows the creation of new ones
Continue reading “AMORE / ROTTURA DI PALLE/ UNIVERSALE (Sorry Wislawa), 2018”
Bacteria, among the first life forms appeared long ago on our planet, are the installation’s core elements.
The graphic scheme of the installation takes origin from the Central Line London tube map.
While in London, during London Summer Intensive residency by Camden Arts Centre and Slade School of Arts I took the Central Line and at each subway stop I opened a different sterilized Petri dish putting in contact the culture medium and the air (where bacteria are usually found).
The “captured” bacteria will grow and reproduce until they become visible to our eye assuming the shape of a “coloured mould”.
The shape and the colours of the dots appearing every day on the Petri dishes will be changing continuously in unpredictable ways depending on the kind of bacteria.
Time, measured as we move through the different underground stops, and at the same time, beaten by the continuous transformations happening inside the Petri dishes, is reasserting its peculiar role and the circular space where bacteria’s life unfolds is strictly related to the space of the city.
Writing that becomes unintelligible, decoration.
THE WALL OF DELICACY condenses the experience, sometimes tough, of the encounter with a different culture, of a meeting with other human beings.
This work was born looking at the construction methods of houses made with oyster shells in some villages in the region of Fujian, CHINA, where I lived in winter 2017.
THE WALL OF DELICACY generates a hard wave and a rhythmic movement, and at the same time gives an unusual vision of the oyster shell itself: putting them one on top of the other we can look at their profiles. The pinkish broken glass on top of the wall underlines fragility and delicacy, as in a flower.
Continue reading “THE WALL OF DELICACY (ode to China), 2018”
The wire of a light blue cotton candy goes everywhere, pushed by the wind generated by a fan.
The machine is automated. The system provides for a temporal control that operates the machine at random intervals and allows the production of cotton candy.
The effect is surprising, the smell is scrumptious, the result is chaotic.
A lighted sign of the reverse sentence “I Love you”, is continuously resonating with the soft moving of the wire of the cotton candy.
Beginning from the narrative band carved in the Trajan column and questioning what history is.
The act of repetition as a way to understand reality, the act of chewing as a way to put together thoughts through the body.